Faculty

Starting on April 1, the Korngold Festival at the University of Chicago will celebrate Erich Wolfgang Korngold’s music and discuss how his life and work show a transformational change from composing late-romanticism in classical music in Vienna to Hollywood film music in Los Angeles.

The 10-day festival, titled Korngold Rediscovered, features a myriad of events held at the Reva and David Logan Center for the Arts on the Hyde Park campus. It includes musical performances, a symposium of lectures and panels, the American premiere of Korngold’s final opera, and a film screening, finally concluding with UChicago Presents’ performance of the French string quartet Quatuor Diotima on April 10. Ticket prices vary depending on each specific event. 

“Korngold was a very talented composer who could create songs, operas and concertos starting at the age of 11, but he was not considered a genius in Vienna,” said Philip V. Bohlman, the Ludwig Rosenberger Distinguished Service Professor in the Department of Music at UChicago. “Like Joseph Haydn, Korngold was groomed to be a musician from his earliest years. The most fascinating part of his life and work is how he makes the transition to America and to Hollywood film music.”

In 2016, artists Amber Ginsburg and Sara Black harvested a tanoak tree on the California coast that was dying from sudden oak death, a disease caused by an accidentally introduced pathogen. After drying the tree in a high-temperature kiln to remove any trace of the pathogen, they gave it new life by turning it into 7,000 handmade pencils: works of art that could be used to produce more art.

Those pencils are now part of “On Drawing Drawing On,” a new exhibition at the University of Chicago’s Gray Center for Arts and Inquiry. Running through March 13 in the Logan Center Gallery, the exhibition celebrates the 10th anniversary of the Gray Center’s signature initiative: the Mellon Collaborative Fellowship in Arts Practice and Scholarship.

“The show is a riff on the double meaning of drawing,” said Seth Brodsky, director of the Gray Center. “It obviously designates the act of creating art with pencil and paper. But it also involves pulling, dragging, drawing out, selecting too. It speaks to the way Gray Center fellows select each other, draw from and on each other, find things in each other’s work neither knew was there in the first place.”